By Emily Braun The unexpected encounter of a rubber glove, a green ball, and the head from a classical statue gives rise to one of the most compelling paintings in the history of modernist art: Giorgio de Chirico's Song of Love (1914). This uncanny image exemplifies what de Chirico called "metaphysical" painting, which creates a disturbing sense of unreality, outside the usual logics of space and time, through the novel depiction of ordinary things. Emily Braun's essay in this volume of the MoMA One on One series explores the work's enigmatic motifs, showing how their roots range from the ancient culture of the Mediterranean, through the commercial scenarios de Chirico observed in the streets of Paris in the years around World War I, to the work of the avant-garde painters and poets of the time. The Song of Love continues to captivate viewers as de Chirico intended, even a century after it was made. 48 pp.; 35 illus. Each volume in the One on One series is a sustained meditation of a single work from the collection of The Museum of Modern Art. A richly illustrated and lively essay illuminates the subject in detail and situates that work within the artist's life and career as well as within broader historical contexts. This series is an invaluable guide for exploring and interpreting some of the most beloved artworks in the Museum's collection. View the entire series here .
